Project myself into the air, and float in a weightless night It’s better than sitting. After their 2008 debut, Deathconsciousness-which felt like a stalled-out black cloud, just hanging there about to burst open and rain down some unholy substance-they've come out with The Unnatural World, a slightly less oppressive collection of tunes. With undertones of artists like Swans, Joy Division, Throbbing Gristle, and Cold Cave (not to mention a good dose of Scandinavian black metal), The Unnatural World somehow perseveres in injecting a frightening beauty into the mix, from the bleakest drones in songs like “Guggenheim Wax Museum” to the crust-wrapped beats of the majestic “Burial Society” and the Ian Curtis–haunted “Defenestration Song.” (“Walked in Line” seeps all the way through that tune.) Pretty much all seven minutes of “Cropsey” are unsettling, from the snippets of an interview with a young resident of a notorious mental institution to the sudden shift into stifling layers of metallic, thunderous murk and muffled spoken word. Videoklip, peklad a text psn Burial Society od Have a Nice Life. Tim Macuga and Dan Barrett (also of the space-noise outfit Giles Corey) comprise Have a Nice Life. Songs like Burial Society still have a lo-fi, ethereal quality to them, yet feature a more scathing tone a la Waiting. Starting out as a bedroom project between two men, Dan Barret and Tim Macuga, the band quickly evolved into something much more profound. ![]() Have a Nice Life make music that's exceedingly gloomy and austere. In a way Have a Nice Life is the very album that they’ve become known for.
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